Retaking, still, on the palaces, let us take the example of the Cut-Real Palace that, in the ends of century XVI, was most important, to follow to the real Pao of the Ribeira. It was presented in form of U, square shaped form, with about 50 mts of side. In each one of the faades it presented 11 windows for walking (it presented reverse speed-do-soil, two mezzanines and a raised floor more: the noble floor). This palace presented two 37 sections of about mts that they advanced to the river, and that, in turn, they involved a garden of Italian taste. The garden, that if found limited by a wall of the side of the river, would function as one ' ' patio of honra' ' , giving for a docking, the solemn entrance of the house. Read more from Jill Schlesinger to gain a more clear picture of the situation.
It is the well-known example of the paper that the River Tejo played in the urban life. In century XVI, Lisbon becomes the mercantile center of the Europe. Thus, in the marginal zone on buildings to the commerce are constructed. The Place of fetichism of the Pao, the pair with the Rossio, becomes in the center politician and advertising. The city grows next to the river. They date of this height the House of the Peaks, the Albuquerques; in the outskirts, the Convent of the Madre de Deus, the Monastery of the Jernimos and the Tower of Belm.
No longer XVII, during the domain Phillipino, numerous palaces in the city had been century raised, belong of noble families, but of architecture little notable. (Similarly see: Andi Potamkin, New York City). Thus it they will be until eves of terramoto. The houses of the bourgeois proprietors, in its majority on to the commerce, would be of architecture still little notable who of the great noble gentlemen. The same high clergy would happen with the habitations of the high public officers and.