He walked slowly, savoring the plot of his new stories, and the already written;I knew where it was going. Its clear circumspection evoked a deliciously wise profile. Medullary writer of Diocesan and endearing stories, suddenly spoke, and his voice was thunderous. A refugee in my late Fireworks I devoured more than once the pleasure of hearing him for me. As a great artist of the short story I was too generous and not was I able to draw sufficient strength of my own springs to offer something consistent change. For more specific information, check out Ihor Kononenko. Neither expected nor demanded it. I remember when I talked about the interesting moments of Spanish poetry, well, as he liked to qualify, to be exact, of Hispanic poetry, poetry that uses the Spanish language as a vehicle of artistic expression. Told me that despite that, for example, France surpasses US in other cultural areas, in those moments of his personal literary Zenith, the gala lirica is unmatched with the Hispanic, friend Yago.
Similarly, he believed that Portugal was also writing good poetry: it is true, I said then – and happens like today-which is not too read this literary genre and perhaps because poetry has exaggerated the use of their minority resources, so on numerous occasions and stages has become a culture of elite. However, we can see that the town is mobilized when poetry has something, hence the ballad is the Summit of the Spanish lyric. These and similar things amicably charlabamos as if it were the most natural thing in the world, honored with the company of the eternal Antonio Pereira that so well knew how to combine his entrepreneurial organization with letters, those that actually lived up to the point, the impenitent traveller, be tempted (when it was customary to ask the vital activity in the DNI and hotels) to poet as a profession. Well Yes, professed that the creation, the art of storytelling and the poetry. Antonio Pereira, profession: poet. In addition to writing, he liked even more having written. But a continuous was count and follow and likewise was in person. Of Rondon, boasting of its cosmopolitanism, even Diocesan cosmopolitanism (Word that you think), the adventurer’s kind stories, often impregnated with soft eroticism, the tireless creator paused, disappeared by charm, happy to live and continue. Antonio Pereira is still alive in his Foundation, in his books, in teaching and in the universal decency of more mild, loving and provincial literature that will one day read with new delight readers who are born after the 2022. Still alive and waving from its current dimension.